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The weekend in photos: Sasquatch! 2012, part I

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{tUnE-yArDs at Sasquatch! 2012 / by Victoria VanBruinisse}

{This is part one of a three-part Sasquatch! 2012 photo recap. Be sure to check out part two here, and part three here!}

It was an incredible long weekend at the Gorge again this year for the 2012 installment of the Sasquatch! Music Festival, which took place this past Friday {5/25} through Monday {5/28} out in the lovely, dusty, sunny town of George, Washington. After sitting through what felt like endless traffic -- three and a half hours from the highway exit to the parking lot! -- we finally found ourselves traipsing around the grounds, poring over the schedule to see what we could still catch a glimpse of before the night wrapped up. Our hopes were high for day one, but we wound up missing Yellow Ostrich and Allen Stone because of the backup -- however, we did manage to catch a litte bit of Santigold, all of Girl Talk's bright-light-infused, toilet-paper-gun-shooting, ass-kicking party set, and a good portion of Explosions In The Sky as they tore up the crowd with their wall-of-sound instrumentals before we packed it in for the night.

Here's a few photos from day one, starting with our multi-hour traffic front- and rear-view:

{Traffic at Sasquatch! 2012 / by Victoria VanBruinisse}

{Traffic at Sasquatch! 2012 / by Victoria VanBruinisse}

Girl Talk! Gigantic, awesome, and seriously -- TOILET PAPER GUNS:

{Girl Talk at Sasquatch! 2012 / by Victoria VanBruinisse}

Explosions in the Sky:

{Explosions in the Sky at Sasquatch! 2012 / by Victoria VanBruinisse}

{Explosions in the Sky at Sasquatch! 2012 / by Victoria VanBruinisse}

{Explosions in the Sky at Sasquatch! 2012 / by Victoria VanBruinisse}

We started out day two {Saturday} with high hopes for some good times, and our girl Sasquatch! did not disappoint. From start to finish, the sets were full of funk, soul, beats, lady-power, and righteousness. There's nothing quite like having a big serving of Pickwick for breakfast, and we were front and center at the big stage when they took to it at noon, dropping a seamless set to a rowdy, happy crowd. It only felt right to stay on the soul boat for Charles Bradley immediately after that, soaking in all of his modern-legend-ness. We took it all to heart, especially and extra-very-so when Charles sang those lines about "you" right out to the crowd, implying that it wasn't a love interest, but the very people who stood there bearing witness to his set. "Without you, there is no me!" he called out, and meant every ounce of it.

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